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			<pubDate>Thu, 20 Jun 2013 08:35:06 +0000</pubDate>
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			<title>Premiere Pro CS5 Feature Tour | Adobe TV</title>
			<link>http://tv.adobe.com/show/premiere-pro-cs5-feature-tour/</link>
			<description>Adobe Premiere Pro CS5 is non-linear editing software that provides efficient tools for video production.</description>
			<copyright>2013 Adobe Systems Inc.</copyright>
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				<title>Premiere Pro CS5 Feature Tour | Adobe TV</title>
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								<title>DSLR Workflow in Premiere Pro CS5 - Keying, Time Remapping &#38; Stills</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>In this short video, Jason Levine will show you how to use the new Ultra Keyer in Premiere Pro CS5 to pull quick keys from your footage, even with unevenly lit green screen. Once again, the &#39;key&#39; here (ha ha) is the fact that Jason is running this process without rendering, leveraging the Mercury Playback Engine solely in software mode.</description>
								<pubDate>Thu, 30 Sep 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/dslr-workflow-in-premiere-pro-cs5-keying-time-remapping-stills/</link>
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								<title>DSLR Video Editing for Photographers - Pt. 1</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>In this multi-part series, Jason Levine will cover the step-by-step process of working with DSLR video in Premiere Pro CS5, from the Camera to the Timeline to the Web and beyond. If you&#39;re a photographer looking to get into DSLR video, or maybe you&#39;re already shooting video but just don&#39;t know how to get started, Jason will cover all the basics, including tips for adding images, music, text, PSD files and more, all the way through exporting to popular sites like YouTube and Vimeo.</description>
								<pubDate>Mon, 27 Sep 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/dslr-video-editing-for-photographers-pt-1/</link>
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								<title>DSLR Video Editing for Photographers - Pt. 2 </title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>In Part 2 of this multi-part series, Jason Levine will cover the most common editing functions of Premiere Pro CS5, including the ability to set defaults for image and transition durations, adding transitions between clips &#38; images (like cross-dissolves, dip-to-black and more), basic scaling/resizing, rippling, and cutting. </description>
								<pubDate>Tue, 21 Sep 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/dslr-video-editing-for-photographers-pt-2-/</link>
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								<title>DSLR Video Editing for Photographers - Pt. 3 </title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>In Part 3 of this multi-part training series, Jason Levine will showcase some common methods for &#39;telling your story&#39; with motion and sound. Drop music into your timeline, add markers and time images to specific audio events, as well as animation of position, scale, rotation, opacity and more. Here&#39;s how you can begin to (easily) bring your stills to life, alongside your DSLR video.</description>
								<pubDate>Tue, 21 Sep 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/dslr-video-editing-for-photographers-pt-3-/</link>
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								<title>DSLR Video Editing for Photographers - Pt. 4 </title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>In Part 4 of this multi-part training series, Adobe Worldwide Evangelist Jason Levine discusses working with layered Photoshop (PSD) files for lower thirds, stylized text and simple animations, as well as using Premiere Pro&#39;s own Titler from within the application. </description>
								<pubDate>Tue, 21 Sep 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/dslr-video-editing-for-photographers-pt-4-/</link>
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								<title>Production Premium Overview</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>Adobe CS5 Production Premium ups the ante with industry-leading performance breakthroughs and innovations that accelerate post-production.</description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/production-premium-overview/</link>
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								<title>My Top 5 Favorite Features of Production Premium CS5</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>In this episode I&#39;ll show you my Top 5 Favorite features of the New Adobe Creative Suite 5 Production Premium. See what I absolutely love about Premiere Pro CS5 and After Effects CS5.</description>
								<pubDate>Mon, 14 Jun 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/my-top-5-favorite-features-of-production-premium-cs5/</link>
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								<title>Expanded Native Tapeless Workflows in Premiere Pro CS5&#160;&#160;</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>Learn how to work with the latest tapeless and DSLR formats in Adobe Premiere Pro CS5.</description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/expanded-native-tapeless-workflows-/</link>
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								<title>Breakthough Performance with Mercury Playback Engine </title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>Edit HD as fluidly as SD, thanks to native 64-bit support and GPU acceleration found in the Mercury Playback Engine. </description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/breakthough-performance-with-mercury-playback-engine-/</link>
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								<title>Get Fast, Accurate Keying on Marginal Footage with Premiere Pro CS5&#160;</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>Key HD footage in real time with the new Ultra Chroma Keyer in Adobe Premiere Pro. Optimized for footage that includes uneven lighting, wrinkled backgrounds, and frizzy hair, Ultra preserves shadows and can achieve complex keys on smoke, liquids, and transparent objects. GPU acceleration dramatically increases rendering speeds, whether you&#8217;re keying DV or HD.</description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/get-fast-accurate-keying-on-marginal-footage-/</link>
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								<title>Accelerated Editing with Enhanced Speech Analysis in Premiere Pro CS5</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>See how to turn spoken dialogue into searchable text either by synchronizing content with your Adobe Story script, or by using reference scripts that are optimized for your content. Accelerate editing by marking in and out points in the speech analysis text to speed production time.</description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/accelerated-editing-with-enhanced-speech-analysis/</link>
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								<title>On Set Logging with Tapeless Cameras with OnLocation</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>See how to get all the benefits of real-time, on-set logging even when working with tapeless cameras with OnLocation CS5.</description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/on-set-logging-with-tapeless-cameras/</link>
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								<title>64 Bit Performance</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>Get the most out of your hardware investment: native 64 bit support means After Effects can use all available RAM, so it&#8217;s easier to work efficiently on complex HD, 2k, and 4k projects. </description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/64-bit-performance/</link>
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								<title>How to Upgrade Your System for CS5 Production Premium</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>Today&#39;s video production workflows benefit tremendously from applications that are designed to run natively on 64-bit operating systems. Learn what you can do to optimize your hardware for optimum performance. 
</description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/how-to-upgrade-your-system-for-cs5-production-premium/</link>
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								<title>From Script to On Set Production with Adobe Story</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>Use Adobe Story to help &#60;A HREF=&#34;http://www.adobe.com/products/adobe-story-family.html&#34;&#62;write screenplays&#60;/A&#62;, scripts, and to collaboratively work on production and post-production. Plan your shoot more efficiently by leveraging your script in Adobe OnLocation to create shot lists and import your clips into Adobe Premiere Pro to create a preliminary rough cut.</description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/from-script-to-on-set-production/</link>
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								<title>Get Fast, Accurate Keying on Marginal Footage with Premiere Pro CS5&#160;</title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>Key HD footage in real time with the new Ultra Chroma Keyer in Adobe Premiere Pro. Optimized for footage that includes uneven lighting, wrinkled backgrounds, and frizzy hair, Ultra preserves shadows and can achieve complex keys on smoke, liquids, and transparent objects. GPU acceleration dramatically increases rendering speeds, whether you&#8217;re keying DV or HD.</description>
								<pubDate>Mon, 12 Apr 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/get-fast-accurate-keying-on-marginal-footage-/</link>
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								<title>Staying Native or Going Intermediate? Transcoding and Premiere Pro CS5 </title>
								<author>adobetv@adobe.com (Adobe TV)</author>
								<description>In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of &#60;A HREF=&#34;http://www.adobe.com/products/prelude/features.html&#34;&#62;transcoding&#60;/A&#62;, showcasing the workflow outside of CS5; he&#39;&#39;ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.</description>
								<pubDate>Fri, 30 Jul 2010 00:00:00 +0000</pubDate>
								<link>http://tv.adobe.com/watch/premiere-pro-cs5-feature-tour/staying-native-or-going-intermediate-transcoding-and-premiere-pro-cs5-/</link>
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